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Recent Posts:
- The High Priestess & The Hermit
- Growing Up with Mama’s Gun
- HEAVY: Kiese Laymon in Conversation
- We Slay, Part I
- Pioneer Up in This Bitch: Gangsta Boo & Feminist Historiographies of Rap
- Zeezus Does the Firing ‘Round Hurr
- Flags and Flesh: Region, Race, and the Simulacra of Racial Terror
- The Emperor Has No Clothes; Or, Why I Ain’t Waiting In No Damn Line
- Hiding and Seeking: A Black Girl Blues Account
- Prince Made Me Start This Blog: Negress Year (Plus Another Year Plus Some Change) In Review
- “An Idea of Change”: Marco Pavé and the Politicization of Memphis Hip-Hop
- Mississippi Prometheus: Big K.R.I.T. and The Southern Black/Rap Snapback
- I Guess I’ll See You Next Lifetime: Geographies of Time Travel in Kiese Laymon’s Long Division
- Drake Plays the Blues: “Down South” and the Black Imaginary in “Worst Behavior”
- “Playing on the One”: Memphis Soul from Teenie Hodges to Tonya Dyson
- Structure Matters: “Orange Mound, Tennessee: America’s Community” and (Yet Another) Respectability Failure
- Riots and Rumors of Riots: Lessons from the University of Mississippi
- “Givin Em What They Love”: Janelle Monáe and the Sonic Aesthetics of Black Womanhood
- I Promised I Would Sing About You: An Unfinished Reflection on an Unfinished Life
- What’s More Special Than Gold? “Hustle & Flow,” Trinidad James, and the Southern Gold Standard
- Tricks Getting Whipped: Race, Class, and the “Politics of Obliteration” in Memphis
- A Tyler Perry Temptation; Or, Journey to the Center of Blackness
- Honeybabychickeechile: Honey Boo Boo Fierce and the Language of Race and Region
- Negresses of Steel and the Obfuscation of Southern Black Women
- New South Negress: Coming October 2013