He--Prince--didn't exactly come to me in a cloud of purple divinity and command me to do so, mind you. I had been on Tumblr, largely out of pedagogical dedication, sporadically reblogging things and scrolling and refreshing pages for hours on end, … [Continue reading]
“An Idea of Change”: Marco Pavé and the Politicization of Memphis Hip-Hop
Art is always already personal and political. Memphis native Marco Pavé’s recently released mixtape, Obscure Reality, and his community work in and beyond his neighborhood, exemplify this dual function of art, as well as the possibilities of art to … [Continue reading]
Mississippi Prometheus: Big K.R.I.T. and The Southern Black/Rap Snapback
May 21, 2014 Awnaw, hell naw, mane, y'all done up and done it/...them country boys on the rise - Nappy Roots, "Awnaw" Stop being rapper racists/region haters/...This is southern face it/if we too simple/then y'all don't get the basics - Lil' Wayne, … [Continue reading]
I Guess I’ll See You Next Lifetime: Geographies of Time Travel in Kiese Laymon’s Long Division
24 Feb 2014 “I went to the woods because I wished to live deliberately…” -Thoreau, 1854 “The past is never dead. It’s not even past.” -Faulkner, 1950 “And I can feel it for sure/I been here before.” -Teena Marie, 1979 “I guess I’ll see you next … [Continue reading]
Drake Plays the Blues: “Down South” and the Black Imaginary in “Worst Behavior”
December 31, 2013 http://vimeo.com/79018443 "Down South" is a ubiquitous trope in the black American imagination, used to conjure actual and fictive remembrances of a space and time removed from and outside of modernity, the anti-present. It's an … [Continue reading]
“Playing on the One”: Memphis Soul from Teenie Hodges to Tonya Dyson
November 15, 2013 Review of Susanna Vapnek's Mabon Teenie Hodges: A Portrait of a Memphis Soul Original and Jonathan Isom's I AM SOUL Memphis Soul is a globally popular and widely recognizable brand of music and being-in-the-world. Created … [Continue reading]
Structure Matters: “Orange Mound, Tennessee: America’s Community” and (Yet Another) Respectability Failure
My mother grew up at Midland and Boston in the Belt Line, a small working class subdivision in Orange Mound, in the 1950s and 1960s. Orange Mound is widely recognized as the nation's first black neighborhood, and came into being when … [Continue reading]
Riots and Rumors of Riots: Lessons from the University of Mississippi
On the night of the 2012 election, when Barack Obama was elected to a second term, some students at the University of Mississippi burned Obama campaign signs. They had procured these signs as they tore through the halls of dorms ripping … [Continue reading]
“Givin Em What They Love”: Janelle Monáe and the Sonic Aesthetics of Black Womanhood
An early and relatively comprehensive review of Electric Lady essentially praised the album and the artist for gumption but criticized what might be called the album’s sonic “extraness” and the supposed disconnect between the album’s sounds … [Continue reading]